Tomislav Topić Suspends a Floating Chromatic Field of 451 Mesh Sheets Inside a French Chapel

A Sacred Space Reimagined Through Color and Suspension

Artist Tomislav Topić brings a mesmerizing transformation to a historic French chapel by installing a floating chromatic field composed of 451 translucent mesh sheets. Each sheet hangs delicately in space, forming a weightless, layered volume that shifts constantly as light filters through the chapel’s interior.

The result is a suspended color field that hovers like a soft cloud — part sculpture, part atmosphere, part optical phenomenon.

451 Sheets Creating a Volume of Light

Rather than relying on solid materials, Topić constructs space through transparency. The mesh sheets, arranged in precise chromatic sequences, create gradients that deepen, blur, or glow depending on where a visitor stands. What appears as a floating volume from a distance dissolves into individual sheets up close, producing an oscillation between clarity and haze.

As the sheets catch daylight from the chapel’s windows, color becomes liquid. Shadows sharpen and fade. Warm and cool tones overlap. The floating structure becomes a constantly evolving environment shaped by the shifting sun.

A Dialogue Between the Spiritual and the Sensory - Floating Chromatic Field

Inside the chapel, the installation introduces a new kind of sacred atmosphere — one built not from iconography but from perception itself. The floating chromatic field interacts with the stone walls, wooden benches, and stained-glass apertures, creating a delicate contrast between permanence and ephemerality.

Topić’s work does not obscure the existing architecture; it reveals it. Color spills onto columns. Mesh shadows ripple across vaulted ceilings. The chapel becomes both container and collaborator in the visual experience.

Movement as Part of the Installation

As visitors walk through the space, the layers of mesh subtly shift. Colors overlap differently, densities change, and the suspended forms appear to expand or contract. The installation becomes a kinetic field — not because the sheets move, but because vision does.

This interplay turns the act of viewing into an essential part of the artwork. The floating chromatic field is not static; it is activated by presence.

A Contemporary Intervention in a Historic Setting

By installing an ultra-light, nearly immaterial sculpture within an aged religious structure, Topić bridges centuries of creative expression. His approach respects the chapel’s history while adding a contemporary, meditative dimension. Visitors encounter a dialogue between architecture and atmosphere, body and light, silence and spectrum.

The final effect is immersive, fragile, and transformational — a temporary moment of color suspended in time.